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Relicts of suffering by *positively
Some subjects need to be handled very delicately by photographers. In this shot we can see how the photographer has used minimal composition and effective depth of field to portray the barbarity of a Nazi Concentration Camp without making the image over sentimental. The photographer has used the Bared Wire to signify the horror of what has happened here. (Suggested by =Anoya and Featured by `Pete-B)
CommentsGOOD
yah i went to the camps there.. it was really scary and emotional..
Try shooting from another angle.
awesome photo, great composition and emotion, if i had to say anything it wud be to make the barbed wire in the foreground in focus, other than that superb
-- If you have a comment you're awesome!!!! The-Biroboy, putting the art back in photogr...oh... the photo fits perfect with your description, very powerful.
-- one two buckle my show. three four touch the floor. five six pick up sticks. seven eight don't be late. 9 ten start again. thanks
-- Człowieku, świat stoi przed tobą otworem, więc uważaj byś zeń nie wyleciał. [Stanisław Jerzy Lec] *positively my grandma lives nearby and I've been there already a few times. such a touching place!
-- Człowieku, świat stoi przed tobą otworem, więc uważaj byś zeń nie wyleciał. [Stanisław Jerzy Lec] *positively you think so? I'll try next time when I visit my grandma
-- Człowieku, świat stoi przed tobą otworem, więc uważaj byś zeń nie wyleciał. [Stanisław Jerzy Lec] *positively thank you
-- Człowieku, świat stoi przed tobą otworem, więc uważaj byś zeń nie wyleciał. [Stanisław Jerzy Lec] *positively |
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